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I am a knitter as well as a weaver, and I’ve developed a freeform weaving style that allows me to escape the constraints of knitting to create funky—and wearable—infinity scarves that use up the little bits of yarn that accumulate over time.
Random design is a fascinating concept, but well-designed is also wonderful, and a good designer can do both. We didn’t randomly choose designers for the three Loom Theory 2018 lookbooks.
The basic premise of what is known as the KonMari method is to embrace what gives you joy and eliminate what doesn’t. This is rather easy when we’re talking about most yarns.
The day after chocolate-covered Valentine’s Day comes Singles Appreciation Day, when uncoupled people celebrate or commiserate their solo status. Most yarns are also in a relationship—that is, plied.
Maybe it’s because I’m the parent of a preschooler, but I think about lice a lot. Usually, of course, it’s less academic and more “Oh, no, there’s another outbreak at school. Child, get over here and let me check your head.”
I grouped these three questions together because they all involve the same kind of reasoning and knowledge related to designing around yarn. The first important step to take is to download the Master Yarn Chart.
Imagine this: the perfect day of weaving, when everything that could go right does go right.
Caring for naturally dyed cloth can be intimidating, but if you know what you’re doing you can enjoy your pieces for a very long time.
Need a set of curtains for your kitchen windows? Weave up a set that fits perfectly! For Mary Berry’s Lacy Kitchen Curtains from the November/December 2018 Handwoven, that means Brooks bouquet curtains woven on a rigid-heddle loom.
I am interested in making the Travel Shawl on page 32 of the May/June 2018 issue of Handwoven. Is there a way to convert the rigid-heddle draft for use on a 4- shaft table or floor loom?